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Jeff Franklin has Sued ‘Fuller House’ Creator for Conspiring Against Him

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‘Full House’ creator Jeff Franklin has sued the co-executive producer Bryan Behar for conspiring against him. According to him, the conspiracy was held to throw him out of Netflix spinoff in order to replace him as showrunner during his renegotiations with Warner Bros. Franklin claimed the co-executive producer Bryan Behar had feelings of hatred for him which led him to make false allegations against Franklin. Also, he said Bryan Behar collected false evidence against him to fire him from the series’ Netflix spinoff Fuller House.

In his complaint, Jeff Franklin’s attorney Larry Stein said the creator has gained a huge success in professional life and got famous during his journey with Full House franchise. For the last 30 years, Franklin had a smooth journey with Warner Bros for the show but his contract was not renewed last year because of the reports of “behavioral” issues. The attorney said the allegations in the report were fabricated by Bryan Behar to take Franklin’s position in Fuller House.

Also, the complaint mentioned that Franklin had signed a three-year contract with Warner Bros in 2015 as the executive producer and showrunner of Fuller House. It said Franklin even introduced Behar and Steve Baldikoski on the recommendation of Warner Bros. The complaint also highlighted that Jeff Franklin had supported both Bryan and Baldikoski despite their failure to get work in the second seasons of all the sitcoms in which they had worked for the last 19 years. Franklin also said Behar used to come late at work and failed to co-operate with other writers. Also, he claimed that Behar collected false complaints against him to throw him out.

By the end of 2017, the process for the negotiations to extend Franklin’s agreement was in progress as Warner Bros was waiting to receive confirmation from Netflix to renew the show for its fourth season. According to Franklin’s complaint, Behar used the media sources to destroy the image of Jeff Franklin on the basis of false complaints. He took the complaints against Franklin directly to Warners which showed Franklin misbehaving with staff members in the writers’ room, asking females for sexual favors, and abusing staff members verbally, none of which were true, according to the complaint. This resulted in the termination of Franklin’s contract with Warner Bros and Behar got appointed in place of Franklin for the fourth season of Fuller House. So far there is no response from Warner Bros on Franklin’s complaint.

A multi-lingual talent head, Jimmy is fluent in languages such as Spanish, Russian, Italian, and many more. He has a special curiosity for the events and stories revolving in and around US and caters an uncompromising form of journalistic standard for the audiences.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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