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Meet Gilmas, a french music producer in the heart of New York City

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It’s an understatement to say that music has been challenging in these pandemic times, but Gilmas didn’t take it lying down!   In his Williamsburg digital  studio, jus by the East River, he kept on producing many tracks as different reflections on this strange period,  such as Alone In New York, where he describes himself wandering in the ‘Sleeping City’. In this troubled time, we were looking for inspirational people who made their name with their talent. Gilmas’ journey attracted us the most because his passion for Music forced him to change his field. Once upon a time, Gilmas was a philosophy professor in Paris-La Sorbonne but his love for Music forced him to turn his life around. As we say, where there is a will, there is the way. He listened to his heart and started his journey in Music; his E.P Starting Over, released in 2019, explores the emotional rollercoasters of change, with melancholic and yet energetic songs such as You Crazy You and Gone With My Youth.

Today his name comes in topmost music producer a self-made music producer who started Piano playing at 12 and then tried singing-writing and now producing songs and albums from the ground up with his own label, Get Started Music

For his Music love, he went from Paris to New York: ‘I feel New York is a better Paris’, says Gilmas, ‘The vibe here is more conducive for artists and entrepreneurs.’

Gilmas has also updated a lot in a musical career. Yes from simple music instruments to a new era of technological gadgets which help musicians produce some stunning tracks in just one fingertip.

He uses samples and loops, program beats but also plays and records live instruments such as bass, Piano, guitar, ukulele, mandolin, percussion, etc. Digital Music is a dream come true for control freaks like him.

Gilmas’ journey started as a singer-songwriter, accompanying the Piano. He did two albums in France the old-school way, in professional studios with session musicians but however satisfactory was the result, He always felt frustrated not to have total mastery of every part of the process. 

As a musician, his dreams were high from the starting; he kept that hunger alive and decided to work on skills and make it big on his foot, not with others’ help. He developed all the significant expertise and became a package which was lethal than most in the market.

2020 has been the worst year of our time; we look for people who can inspire us from our home. So come up with the inspirational short story of a musician Gilmas. People like him we feel can inspire young talent who are losing hope in their life. We wish Gilmas all the best for his upcoming projects, and we hope he inspires more people with his musical journey.

https://open.spotify.com/artist/5QMLpnDQMFPs5k1Zc5zynv?si=15YPOwDeQV69m-NJm4YsJQ

http://gilmasmusic.com

https://instagram.com/gilmasofficial

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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