Entertainment
Meet LA’s New Star of Nightlife, Alexander Ghislain, Director of Raspoutine LA
Big Time Daily recently had the chance to sit down with star Paris nightlife director Alexander Ghislain to discuss the LA launch of his famous club Raspoutine, how Alexander plans to shake up LA nightlife, and the imminent debut of his very own new vodka line COMETE 1811.
Raspoutine is known for its Parisian charm. How did you transmute this regal ambiance to the LA market?
I tried to find the perfect location for Raspoutine (volume, capacity, history) in the best area of LA, which, in my opinion, is West Hollywood. After securing our location, I duplicated the exact design and décor as the original Raspoutine in Paris to give our West Hollywood location the same charm and warmth.
You have managed several exclusive establishments over the years. What do you believe is the key to maintaining “hot spot” status in major cities like LA?
In LA, like everywhere else, “the door” is the key to success — the art of being able to make the right clientele selection. There is a paradox in the night life industry: to have the best ambiance, you must have different types of people — age, appearance, sex, social class, and so on. But at the same time, it’s important to know who should sit next to whom. You want to create an environment where everyone meshes perfectly together.
You secured an impeccable location for the Los Angeles branch — 8623 Melrose Avenue, a place better known as having received the first liquor license in Los Angeles in 1919, before transforming itself into a speakeasy just a few months later. How did you acquire this location? Was it on your radar for a while?
I visited this location a few years ago and knew it was the right spot. I wasn’t sure about the size of the venue at first, as it was a bit smaller than Raspoutine Paris; however, I wanted the LA location to be really private, so after some time I realized it was perfect, and went for it!
What’s next for Raspoutine? Do you plan on opening more locations?
I’ve been looking for new locations in London and New York, but it’s not easy to find venues that meet all the requirements. If it’s not perfect for Raspoutine, I am not doing it. I’d rather keep looking for a better place. Possibly a location in Vegas too… stay tuned!
What’s next for Alexander Ghislain? Any new projects?
I hope to continue developing the Raspoutine brand — a brand that has been going strong since its birth in 1965 in Paris. Aside from my continuing efforts of developing restaurants, bars, and nightclub concepts, I will be launching my own super premium vodka brand, COMETE 1811 very shortly.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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