Entertainment
Merlin Zapravo & His View About the United States’ Evolving Music Industry
“The singers that top the charts today and produce hit tracks wouldn’t have received the same response if they were to make their debut in the industry today. Just like everything else around the world, even the music industry is under a revolution. Not only because of the changing demographics but also because of ‘too much happening’ in the industry.” Thoughts of Merlin Zapravo when he was asked about the situation of the United States’ music industry.
Merlin Zapravo, an emerging music artist, is a man who has faced innumerable challenges and failures to reach where he stands today. His album, “Certified Baller,” released in 2019, which caught the attention of music enthusiasts from all around the world. His track, “Green Day,” showed the world that Merlin Zapravo had what it takes to excel in the music industry.
After talking to him, it was clear that Merlin would not have faced the same struggles if he had launched a decade earlier. He believes that most of the artists that the audience is so in love with, might not have made it to this point if they had launched their careers today.
“Many people have asked me if my Spanish-Haitian nationality was a reason for my struggles, but my answer has always been no. Music is one of those industries that does not differentiate between people based on their color, culture, religion, caste, or nationality. Music brings people together. However, what makes it difficult for true talent to emerge is because of the market saturation.”
Merlin Zarpavo’s birth name is Hans Ashté Tondereau, and he was born in Valencia, Spain, on May 25, 1980. He found his passion for music when he was 16 years old. He met Jean Louis Phenol, owner of the Raspo Boyz, through his neighbor. It was when he first realized that music was something he wanted to do in life. He developed his skills while spending time with Jean and then joined “FLEX” in 2001. It was a trio, and it released the first track with Hans in 2002. The song was “Tet Anba,” which was a meringue, which the Haitians call Kanaval. Another song was released “Prechi-Precha,” featuring Hans, and soon after this, FLEX disbanded.
“After the FLEX disbanded, I decided to work on my solo career. I began working on my songwriting skills as I wanted to come as a strong solo artist.”
In 2006, “Johanne,” the first single by Hans, was released under the stage name, “Ashte.” When he was asked as to why he chose Ashte as his professional name, he replied, “I was born to a Cuban-Haitian mother and my Cuban grandfather, who everyone called Axion, named me Ashte. This is the name of the most famous fictional wizards of all time. My mother gave birth to me when she was just a teenager and had to struggle a lot. This is why my grandfather named me Ashte, and I thought it would serve as a great stage name.”
After his first song was released, Ashte was signed by Green Ocean Media, Jean Wesley Emannuel’s record label. “I was introduced to Jean Wesley Emannuel, through my friend Michael who was a filmmaker. He helped me get one of the biggest opportunities in my life. I was asked to move to the United States to establish my career.”
He worked with Green Ocean Media and released his album, “Apres la Pluie.” In 2012. Unfortunately, his album could not impress the world, and his opportunity turned into a nightmare. He recalls his experience saying, “I was hopeful and sure that this was an opportunity for me, this was the time for my success, but I did not bring the factor of saturation in my consideration, …, it was a major setback in my life, but I could not give up, not just yet!”
He agrees that his things did not go well because the industry was too saturated. He was confident about his craft, and he was not ready to give up. This is how he described his life after the release of his album, “When I could not figure things out, I decided to settle in Manhattan and began offering dancing lessons. During this time, I also worked as a fitness trainer, appeared as a guest teacher for dance studios.”
He visited several fitness facilities, including Haiti, Venezuela, Dominican Republic, Brazil, Cuba, and New York City. Ashte also appeared multiple tryouts, but nothing seemed to work. He states, “I barely made a good living in New York City; sometimes, I could not even pay for food. But I invested in myself and acquired fitness certifications.”
However, this was the end of his suffering, as in 2019, he transformed from “Ashte,” to “Merlin Zapravo,” giving the world some amazing tracks that redefined Pop, R&B, Hip-Hop/Rap, Reggae Dancehall genres. After his successful album, “Certified Baller,” he released some impressive hits, including “Homie King,” “Hello Mama,” “Believe in Me,” and “Nashville Butterfly.” Moreover, he was signed by “Left Right Music Group.”
“I believe that things would have been different for me, and my struggles would have been less if I had stepped into the market a little earlier. But I grateful for all my struggles and failure as they have made me the Merlin Zapravo the world has come to know.”
The 41-year-old singer and songwriter, dancer, actor, and producer, is a notable entity in the world of music. Not only because of silvery lyrics and captivating vibe but due to the struggles and challenges, he fought to turn his dream into reality!
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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