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Merlin Zapravo & His View About the United States’ Evolving Music Industry

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The singers that top the charts today and produce hit tracks wouldn’t have received the same response if they were to make their debut in the industry today. Just like everything else around the world, even the music industry is under a revolution. Not only because of the changing demographics but also because of ‘too much happening’ in the industry.”  Thoughts of Merlin Zapravo when he was asked about the situation of the United States’ music industry.

Merlin Zapravo, an emerging music artist, is a man who has faced innumerable challenges and failures to reach where he stands today. His album, “Certified Baller,” released in 2019, which caught the attention of music enthusiasts from all around the world. His track, “Green Day,” showed the world that Merlin Zapravo had what it takes to excel in the music industry.

After talking to him, it was clear that Merlin would not have faced the same struggles if he had launched a decade earlier. He believes that most of the artists that the audience is so in love with, might not have made it to this point if they had launched their careers today.

Many people have asked me if my Spanish-Haitian nationality was a reason for my struggles, but my answer has always been no. Music is one of those industries that does not differentiate between people based on their color, culture, religion, caste, or nationality. Music brings people together. However, what makes it difficult for true talent to emerge is because of the market saturation.

Merlin Zarpavo’s birth name is Hans Ashté Tondereau, and he was born in Valencia, Spain, on May 25, 1980. He found his passion for music when he was 16 years old. He met Jean Louis Phenol, owner of the Raspo Boyz, through his neighbor. It was when he first realized that music was something he wanted to do in life. He developed his skills while spending time with Jean and then joined “FLEX” in 2001. It was a trio, and it released the first track with Hans in 2002. The song was “Tet Anba,” which was a meringue, which the Haitians call Kanaval. Another song was released “Prechi-Precha,” featuring Hans, and soon after this, FLEX disbanded.

“After the FLEX disbanded, I decided to work on my solo career. I began working on my songwriting skills as I wanted to come as a strong solo artist.”

In 2006, “Johanne,” the first single by Hans, was released under the stage name, “Ashte.” When he was asked as to why he chose Ashte as his professional name, he replied, “I was born to a Cuban-Haitian mother and my Cuban grandfather, who everyone called Axion, named me Ashte. This is the name of the most famous fictional wizards of all time. My mother gave birth to me when she was just a teenager and had to struggle a lot. This is why my grandfather named me Ashte, and I thought it would serve as a great stage name.

After his first song was released, Ashte was signed by Green Ocean Media, Jean Wesley Emannuel’s record label. “I was introduced to Jean Wesley Emannuel, through my friend Michael who was a filmmaker. He helped me get one of the biggest opportunities in my life. I was asked to move to the United States to establish my career.

He worked with Green Ocean Media and released his album, “Apres la Pluie.” In 2012. Unfortunately, his album could not impress the world, and his opportunity turned into a nightmare. He recalls his experience saying, “I was hopeful and sure that this was an opportunity for me, this was the time for my success, but I did not bring the factor of saturation in my consideration, …, it was a major setback in my life, but I could not give up, not just yet!”

He agrees that his things did not go well because the industry was too saturated. He was confident about his craft, and he was not ready to give up. This is how he described his life after the release of his album, “When I could not figure things out, I decided to settle in Manhattan and began offering dancing lessons. During this time, I also worked as a fitness trainer, appeared as a guest teacher for dance studios.

He visited several fitness facilities, including Haiti, Venezuela, Dominican Republic, Brazil, Cuba, and New York City. Ashte also appeared multiple tryouts, but nothing seemed to work. He states, “I barely made a good living in New York City; sometimes, I could not even pay for food. But I invested in myself and acquired fitness certifications.

However, this was the end of his suffering, as in 2019, he transformed from “Ashte,” to “Merlin Zapravo,” giving the world some amazing tracks that redefined Pop, R&B, Hip-Hop/Rap, Reggae Dancehall genres. After his successful album, “Certified Baller,” he released some impressive hits, including “Homie King,” “Hello Mama,” “Believe in Me,” and “Nashville Butterfly.” Moreover, he was signed by “Left Right Music Group.”

“I believe that things would have been different for me, and my struggles would have been less if I had stepped into the market a little earlier. But I grateful for all my struggles and failure as they have made me the Merlin Zapravo the world has come to know.”

The 41-year-old singer and songwriter, dancer, actor, and producer, is a notable entity in the world of music. Not only because of silvery lyrics and captivating vibe but due to the struggles and challenges, he fought to turn his dream into reality! 

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack

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Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”

It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”

That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir  it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters  and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices  literally  through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask  and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”

Her confidence in crossing genres  from pop to publishing to tech innovation  didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit  absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’  he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”

Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman  all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle  fought with humor and resilience  fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself  and doing it with humour and heart.”

But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”

Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson  whose career has thrived on laughter, chaos, and pure creative courage  it’s easy to believe her story is only growing stronger.

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