Entertainment
Merlin Zapravo & His View About the United States’ Evolving Music Industry
“The singers that top the charts today and produce hit tracks wouldn’t have received the same response if they were to make their debut in the industry today. Just like everything else around the world, even the music industry is under a revolution. Not only because of the changing demographics but also because of ‘too much happening’ in the industry.” Thoughts of Merlin Zapravo when he was asked about the situation of the United States’ music industry.
Merlin Zapravo, an emerging music artist, is a man who has faced innumerable challenges and failures to reach where he stands today. His album, “Certified Baller,” released in 2019, which caught the attention of music enthusiasts from all around the world. His track, “Green Day,” showed the world that Merlin Zapravo had what it takes to excel in the music industry.
After talking to him, it was clear that Merlin would not have faced the same struggles if he had launched a decade earlier. He believes that most of the artists that the audience is so in love with, might not have made it to this point if they had launched their careers today.
“Many people have asked me if my Spanish-Haitian nationality was a reason for my struggles, but my answer has always been no. Music is one of those industries that does not differentiate between people based on their color, culture, religion, caste, or nationality. Music brings people together. However, what makes it difficult for true talent to emerge is because of the market saturation.”
Merlin Zarpavo’s birth name is Hans Ashté Tondereau, and he was born in Valencia, Spain, on May 25, 1980. He found his passion for music when he was 16 years old. He met Jean Louis Phenol, owner of the Raspo Boyz, through his neighbor. It was when he first realized that music was something he wanted to do in life. He developed his skills while spending time with Jean and then joined “FLEX” in 2001. It was a trio, and it released the first track with Hans in 2002. The song was “Tet Anba,” which was a meringue, which the Haitians call Kanaval. Another song was released “Prechi-Precha,” featuring Hans, and soon after this, FLEX disbanded.
“After the FLEX disbanded, I decided to work on my solo career. I began working on my songwriting skills as I wanted to come as a strong solo artist.”
In 2006, “Johanne,” the first single by Hans, was released under the stage name, “Ashte.” When he was asked as to why he chose Ashte as his professional name, he replied, “I was born to a Cuban-Haitian mother and my Cuban grandfather, who everyone called Axion, named me Ashte. This is the name of the most famous fictional wizards of all time. My mother gave birth to me when she was just a teenager and had to struggle a lot. This is why my grandfather named me Ashte, and I thought it would serve as a great stage name.”
After his first song was released, Ashte was signed by Green Ocean Media, Jean Wesley Emannuel’s record label. “I was introduced to Jean Wesley Emannuel, through my friend Michael who was a filmmaker. He helped me get one of the biggest opportunities in my life. I was asked to move to the United States to establish my career.”
He worked with Green Ocean Media and released his album, “Apres la Pluie.” In 2012. Unfortunately, his album could not impress the world, and his opportunity turned into a nightmare. He recalls his experience saying, “I was hopeful and sure that this was an opportunity for me, this was the time for my success, but I did not bring the factor of saturation in my consideration, …, it was a major setback in my life, but I could not give up, not just yet!”
He agrees that his things did not go well because the industry was too saturated. He was confident about his craft, and he was not ready to give up. This is how he described his life after the release of his album, “When I could not figure things out, I decided to settle in Manhattan and began offering dancing lessons. During this time, I also worked as a fitness trainer, appeared as a guest teacher for dance studios.”
He visited several fitness facilities, including Haiti, Venezuela, Dominican Republic, Brazil, Cuba, and New York City. Ashte also appeared multiple tryouts, but nothing seemed to work. He states, “I barely made a good living in New York City; sometimes, I could not even pay for food. But I invested in myself and acquired fitness certifications.”
However, this was the end of his suffering, as in 2019, he transformed from “Ashte,” to “Merlin Zapravo,” giving the world some amazing tracks that redefined Pop, R&B, Hip-Hop/Rap, Reggae Dancehall genres. After his successful album, “Certified Baller,” he released some impressive hits, including “Homie King,” “Hello Mama,” “Believe in Me,” and “Nashville Butterfly.” Moreover, he was signed by “Left Right Music Group.”
“I believe that things would have been different for me, and my struggles would have been less if I had stepped into the market a little earlier. But I grateful for all my struggles and failure as they have made me the Merlin Zapravo the world has come to know.”
The 41-year-old singer and songwriter, dancer, actor, and producer, is a notable entity in the world of music. Not only because of silvery lyrics and captivating vibe but due to the struggles and challenges, he fought to turn his dream into reality!
Entertainment
Omar Harfouch’s ‘Concerto for Peace’ to Enchant Paris in an Evening of Musical Unity
Byline: Katreen David
It’s no secret that music holds the power to enchant people. Ears hear the melodies and every fiber of the soul feels them, especially when the message behind the musical notes conveys a call for world peace.
“In times of turmoil, music has always been our refuge, where we find solace and the courage to hope. This is what inspired ‘Concerto for Peace,’” reflects Omar Harfouch, the world-renowned pianist and composer who will bring “Concerto for Peace” to the Théâtre des Champs-Élysées in Paris, France.
When he isn’t busy producing classical melodies with every keystroke of his piano, Harfouch can be found redefining what it means to blend art and activism. His upcoming “Concerto for Peace,” set to premiere on September 18, 2024, promises to be more than just a concert—it’s an evocative call to unity, a symphonic plea for a world yearning to heal.
Just 48 hours after enchanting Paris with the concerto, Omar Harfouch will take the stage at the United Nations in Geneva to deliver the “Concerto for Peace” once more. This remarkable performance is set to be a highlight of the World Music Conference, coinciding with the global observance of World Peace Day on September 20.
A Symphony as a Statement
Omar Harfouch is no stranger to the power of music as a transformative force. With a career that’s as much about melodic innovation as it is about social impact, Harfouch’s latest work, “Concerto for Peace,” encapsulates his belief that music can be both recreational and revolutionary. As 2024 sees the rise of art with a cause, Harfouch’s concert stands out for its musical mastery and bold message.
“This isn’t just about notes on a page,” Harfouch explains. “It’s about creating a space where every listener, regardless of background, can feel part of something larger—a movement toward peace, one note at a time.”
In a world where philanthropy is increasingly woven into the heart of the arts, Omar Harfouch’s “Concerto for Peace” reflects a growing trend where music serves as a catalyst for change. The performance, featuring the Béziers Méditerranée Symphony Orchestra under the skilled direction of Mathieu Bonnin, is set to be a defining moment in this movement.
The Pulse of 2024: Music with Purpose
As we navigate the complexities of 2024, the intersection of art and advocacy has never been more pronounced. The global music industry is seeing an unprecedented convergence with philanthropic efforts. Artists are not just creating for the sake of creation; they are crafting experiences that resonate with the world’s most pressing issues.
Omar Harfouch stands on the frontlines of this shift. “Concerto for Peace” is emblematic of a broader movement where art becomes a form of protest, a medium for messages that words alone can’t convey.
“Music has this incredible ability to reach where words often fail,” Harfouch reflects. “In every melody, there’s a story. In every crescendo, a call to action.”
An Artistic Tribute to Roots and Responsibility
The story behind one of Harfouch’s most famous compositions is a tale from his childhood. This is primarily why the upcoming Paris performance is also deeply personal for Harfouch. Among the pieces featured is “Tripoli,” a composition that serves as a musical homage to his birthplace.
With its intricate blend of cultural motifs and personal history, this piece adds a profound layer of authenticity to the concert. To that effect, it becomes an artistic expression fueled by his personal journey.
“Tripoli is more than just a city to me—it’s a symbol of resilience, of the beauty that can emerge from hardship,” says Harfouch. “Through this piece, I’m sharing a part of myself, my history, and my hope for the future.”
Another key highlight is “Save One Life, You Save Humanity,” a composition that spotlights Harfouch’s belief in the power of individual action. In a world where small acts of kindness can ripple into broader societal change, this piece serves as both a reminder and an inspiration.
A Crescendo of Hope
As the “Concerto for Peace” prepares to echo through the streets of Paris, Omar Harfouch is reflective yet resolute. “We live in a world that’s constantly changing, constantly challenging us,” he says. “But in music, we find a constant—a reminder that beauty, harmony, and peace are always within our reach if only we’re brave enough to listen.”
For Harfouch, this concert is the culmination of months of work and proof of the enduring power of art to reflect the world, comfort the world, and change the world.
The “Concerto for Peace” is bound to leave behind a lasting impact—a reminder that, in the grand symphony of life, every voice matters, and every note counts.
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