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Miss Money’s Rise to Stardom

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Pennsylvanian rapper, Miss Money, hails from Pittsburgh’s Hill District, an impoverished neighborhood in the city. The Hill, as it’s known, is one of the major cultural centers of African-American life in Pittsburgh and a historically important place for jazz music. Miss Money’s childhood in the district was turbulent and troubled but despite the early challenges she faced in life, she has managed to make a name for herself at home and abroad.

Miss Money became a ward of the court at the age of just 5 after her mother was charged with attempted murder. She found herself being moved in and out of shelters, foster homes and detention centers where she was never content to just keep her head down. It was while staying in one such group home, Auberle Shelter, that the star potential in the boisterous young Miss Money was spotted. She was then casted as the lead in several Christmas plays and theatre functions, putting her in front of crowds of hundreds of people. Miss Money thrived in front of the crowds and gained an appetite for performing. In 2006, Russell Simmons spotted her at the Kelly Strayhorn Theater in her hometown and gave her direct supportive feedback.

In 2009, she went on to win Bragging Rights Awards and began to catch the attention of several A&R agents from big labels, who had noticed that she was beginning to create quite a stir in the local scene. In 2011, Miss Money traveled to California to discuss distribution with Warner Bros. Later that year, she was flown out to France to sign with Sony Madison Music in Paris. Big Ali was already signed to Madison Music, and this led to a number of featured collaborations with Miss Money.

Her increased exposure was followed by numerous award nominations in the following years.  In 2016, she won the Akademia Music Award for Best Song – ‘Fell in Love,’ and performed at, the Akademia Gala event in Los Angeles. She toured with other big names from her hometown like Jimmy Wopo and Flatline Nizzy when they headlined with Memphis Bleek in Baltimore.

Miss Money’s next major hit was ‘On the Nephs,’ which has spread her Hill neighborhood lingo far and wide. The song became a favorite across South Africa for its trap-reggae vibe and received constant airtime on both South African television as well as the radio. Her music was also being played on BET and MTV networks in the US. Her latest track, ‘MrsParker,’ continues in this dance-hall style and has a catchy hook and polished music video.

Miss Money adds of her successes to date, “I wouldn’t say I chose this career; it chose me. It was like I kept walking into musical opportunities and naturally had the gift with crowds of people, creativity, performance, and words. I continued to strive in this career to get the voice and message out through expression for those of the same background and as a way out of the poverty living lifestyle. It became therapeutic and rewarding at the same time.”

Her next big collaboration is with Boosie Badazz titled ‘Pull-Up,’ which is set to drop in summer 2019. Watch this space for more.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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