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Reda Haddioui, from singing in Parisian bars, to producing music in Hollywood for a Golden Globe, Oscar Winning, and Grammy nominated Marvel movie

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When you were a child, which record made the strongest impression on you?

I would say Tim Buckley’s song “Once I Was”. I remember when I was a kid, being in the car with my dad when he played me the record for the first time. I felt really emotional hearing the song for the first time even without understanding the lyrics. I was hypnotized by Tim’s vocal performance and the overall vibe. Today understanding the words and being passionate about lyrics in general, it touches me even more.

Where did you train and/or study?

I took a few piano lessons at a very young age but didn’t really stick to it as I wanted to explore music without having any directions. So I’ve been almost self taught until I was sixteen and started taking voice lessons. I’ve started to learn recording and mixing watching online videos during high school but really improved my music production skills at Berklee College Of School where I went to study after earning a scholarship. I studied Music Production & Engineering and had the chance to learn from Grammy-winning producers, songwriters, and engineers. I learned the rest on the field recording and producing hundreds of musicians in Morocco, Paris, Boston, and Los Angeles.

How long have you been working in Los Angeles?

I’ve been working in Los Angeles for a little over three years now. I came from Boston after graduating from Berklee and it has been an incredible journey for me even-though the road has been and can still be tough from time to time.

How did you end up producing a song for the Marvel movie: Spider-man Into The Spider Verse?

I’ve worked really hard since I moved to Los Angeles without counting the hours. Fifteen hours work days were common for me. Nobody was forcing me to put all these hours in, but I’ve always been a perfectionist, always trying to get better at what I do. Eventually my hard work has paid off. I’ve been working part-time in several recording studios in Los Angeles until I found WAX LTD where I really got along with the multi-platinum producers/songwriters Wally Gagel and Xandy Barry. I started as an intern but my hard work has allowed me to step up and eventually end up working with them on bigger and bigger projects, including the song “To The End” for the “Spider-man Into The Spider Verse” movie.

What was the biggest challenge working on such a big project?

I’ve noticed that the biggest challenge working on bigger projects is to treat them as small ones. There’s that unexplainable and magical thing happening when you’re carelessly producing music. The result usually feels authentic, and people connect more to it. In the other hand when you overthink while producing, the song tends to lose its magic and becomes naturally less effective. Producing “To The End”, we were finalizing the mix, but had to change some of the lyrics at the last minute, which also required re-tracking most of the vocals. We only had about two hours on a Sunday to re-track Elliphant’s vocals as her schedule was packed with sessions, and was going back and forth between Los Angeles and Stockholm. I worked with her that day and vocal produced her, doing my best to get the energetic performance the song needed. Fortunately, I had a great time working with her and we’ve been able to achieve what we aimed for. Vocal production is often underrated, but it is probably the most important thing on a record. Vocals are the main focus and if they don’t convey authenticity, people don’t stick to the song.

What is the best professional advice you’ve ever received, and that you would give to up and coming music producers?

The best professional advice I’ve ever received and that I would give without any hesitation sounded cliché and useless to me at first, but today I realize how accurate it is in context. One day while studying at Berklee in Boston, I asked that question to one of my production teachers and successful record producer John Whynot. He gave me the very short answer: “Focus on what you’re doing well, and keep doing it well”. Again, expecting a long answer and hearing this instead could be disappointing. However, once you are plunged into the music world in Hollywood around the most talented people in the world, you’ll have all the temptations in the world to shift your focus towards the million reasons why you’re not as successful as the person you’re looking up to. So you start overthinking, thinking of how to “make it” faster, and you eventually forget that you only have a limited amount of energy, which in this case is wasted overthinking. So yes, it becomes harder and harder to stay focused on what brought you here in the first place, and it is extremely important to keep that in mind to become one of the greatest in your field. Hard work, perseverance, and patience are key to success. Everyone knows it, everyone forgets it during tough times.

www.redahmusic.com

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The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack

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Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”

It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”

That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir  it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters  and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices  literally  through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask  and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”

Her confidence in crossing genres  from pop to publishing to tech innovation  didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit  absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’  he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”

Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman  all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle  fought with humor and resilience  fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself  and doing it with humour and heart.”

But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”

Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson  whose career has thrived on laughter, chaos, and pure creative courage  it’s easy to believe her story is only growing stronger.

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