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Reda Haddioui, from singing in Parisian bars, to producing music in Hollywood for a Golden Globe, Oscar Winning, and Grammy nominated Marvel movie

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When you were a child, which record made the strongest impression on you?

I would say Tim Buckley’s song “Once I Was”. I remember when I was a kid, being in the car with my dad when he played me the record for the first time. I felt really emotional hearing the song for the first time even without understanding the lyrics. I was hypnotized by Tim’s vocal performance and the overall vibe. Today understanding the words and being passionate about lyrics in general, it touches me even more.

Where did you train and/or study?

I took a few piano lessons at a very young age but didn’t really stick to it as I wanted to explore music without having any directions. So I’ve been almost self taught until I was sixteen and started taking voice lessons. I’ve started to learn recording and mixing watching online videos during high school but really improved my music production skills at Berklee College Of School where I went to study after earning a scholarship. I studied Music Production & Engineering and had the chance to learn from Grammy-winning producers, songwriters, and engineers. I learned the rest on the field recording and producing hundreds of musicians in Morocco, Paris, Boston, and Los Angeles.

How long have you been working in Los Angeles?

I’ve been working in Los Angeles for a little over three years now. I came from Boston after graduating from Berklee and it has been an incredible journey for me even-though the road has been and can still be tough from time to time.

How did you end up producing a song for the Marvel movie: Spider-man Into The Spider Verse?

I’ve worked really hard since I moved to Los Angeles without counting the hours. Fifteen hours work days were common for me. Nobody was forcing me to put all these hours in, but I’ve always been a perfectionist, always trying to get better at what I do. Eventually my hard work has paid off. I’ve been working part-time in several recording studios in Los Angeles until I found WAX LTD where I really got along with the multi-platinum producers/songwriters Wally Gagel and Xandy Barry. I started as an intern but my hard work has allowed me to step up and eventually end up working with them on bigger and bigger projects, including the song “To The End” for the “Spider-man Into The Spider Verse” movie.

What was the biggest challenge working on such a big project?

I’ve noticed that the biggest challenge working on bigger projects is to treat them as small ones. There’s that unexplainable and magical thing happening when you’re carelessly producing music. The result usually feels authentic, and people connect more to it. In the other hand when you overthink while producing, the song tends to lose its magic and becomes naturally less effective. Producing “To The End”, we were finalizing the mix, but had to change some of the lyrics at the last minute, which also required re-tracking most of the vocals. We only had about two hours on a Sunday to re-track Elliphant’s vocals as her schedule was packed with sessions, and was going back and forth between Los Angeles and Stockholm. I worked with her that day and vocal produced her, doing my best to get the energetic performance the song needed. Fortunately, I had a great time working with her and we’ve been able to achieve what we aimed for. Vocal production is often underrated, but it is probably the most important thing on a record. Vocals are the main focus and if they don’t convey authenticity, people don’t stick to the song.

What is the best professional advice you’ve ever received, and that you would give to up and coming music producers?

The best professional advice I’ve ever received and that I would give without any hesitation sounded cliché and useless to me at first, but today I realize how accurate it is in context. One day while studying at Berklee in Boston, I asked that question to one of my production teachers and successful record producer John Whynot. He gave me the very short answer: “Focus on what you’re doing well, and keep doing it well”. Again, expecting a long answer and hearing this instead could be disappointing. However, once you are plunged into the music world in Hollywood around the most talented people in the world, you’ll have all the temptations in the world to shift your focus towards the million reasons why you’re not as successful as the person you’re looking up to. So you start overthinking, thinking of how to “make it” faster, and you eventually forget that you only have a limited amount of energy, which in this case is wasted overthinking. So yes, it becomes harder and harder to stay focused on what brought you here in the first place, and it is extremely important to keep that in mind to become one of the greatest in your field. Hard work, perseverance, and patience are key to success. Everyone knows it, everyone forgets it during tough times.

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The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Omar Harfouch’s ‘Concerto for Peace’ to Enchant Paris in an Evening of Musical Unity

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Photo Credit: Daniel Topic

Byline: Katreen David

It’s no secret that music holds the power to enchant people. Ears hear the melodies and every fiber of the soul feels them, especially when the message behind the musical notes conveys a call for world peace. 

“In times of turmoil, music has always been our refuge, where we find solace and the courage to hope. This is what inspired ‘Concerto for Peace,’” reflects Omar Harfouch, the world-renowned pianist and composer who will bring “Concerto for Peace” to the Théâtre des Champs-Élysées in Paris, France.  

When he isn’t busy producing classical melodies with every keystroke of his piano, Harfouch can be found redefining what it means to blend art and activism. His upcoming “Concerto for Peace,” set to premiere on September 18, 2024, promises to be more than just a concert—it’s an evocative call to unity, a symphonic plea for a world yearning to heal.

Just 48 hours after enchanting Paris with the concerto, Omar Harfouch will take the stage at the United Nations in Geneva to deliver the “Concerto for Peace” once more. This remarkable performance is set to be a highlight of the World Music Conference, coinciding with the global observance of World Peace Day on September 20.

A Symphony as a Statement

Omar Harfouch is no stranger to the power of music as a transformative force. With a career that’s as much about melodic innovation as it is about social impact, Harfouch’s latest work, “Concerto for Peace,” encapsulates his belief that music can be both recreational and revolutionary. As 2024 sees the rise of art with a cause, Harfouch’s concert stands out for its musical mastery and bold message.

“This isn’t just about notes on a page,” Harfouch explains. “It’s about creating a space where every listener, regardless of background, can feel part of something larger—a movement toward peace, one note at a time.”

In a world where philanthropy is increasingly woven into the heart of the arts, Omar Harfouch’s “Concerto for Peace” reflects a growing trend where music serves as a catalyst for change. The performance, featuring the Béziers Méditerranée Symphony Orchestra under the skilled direction of Mathieu Bonnin, is set to be a defining moment in this movement.

The Pulse of 2024: Music with Purpose

As we navigate the complexities of 2024, the intersection of art and advocacy has never been more pronounced. The global music industry is seeing an unprecedented convergence with philanthropic efforts. Artists are not just creating for the sake of creation; they are crafting experiences that resonate with the world’s most pressing issues.

Omar Harfouch stands on the frontlines of this shift. “Concerto for Peace” is emblematic of a broader movement where art becomes a form of protest, a medium for messages that words alone can’t convey. 

“Music has this incredible ability to reach where words often fail,” Harfouch reflects. “In every melody, there’s a story. In every crescendo, a call to action.”

An Artistic Tribute to Roots and Responsibility

The story behind one of Harfouch’s most famous compositions is a tale from his childhood. This is primarily why the upcoming Paris performance is also deeply personal for Harfouch. Among the pieces featured is “Tripoli,” a composition that serves as a musical homage to his birthplace. 

With its intricate blend of cultural motifs and personal history, this piece adds a profound layer of authenticity to the concert. To that effect, it becomes an artistic expression fueled by his personal journey.

“Tripoli is more than just a city to me—it’s a symbol of resilience, of the beauty that can emerge from hardship,” says Harfouch. “Through this piece, I’m sharing a part of myself, my history, and my hope for the future.”

Another key highlight is “Save One Life, You Save Humanity,” a composition that spotlights Harfouch’s belief in the power of individual action. In a world where small acts of kindness can ripple into broader societal change, this piece serves as both a reminder and an inspiration.

A Crescendo of Hope

As the “Concerto for Peace” prepares to echo through the streets of Paris, Omar Harfouch is reflective yet resolute. “We live in a world that’s constantly changing, constantly challenging us,” he says. “But in music, we find a constant—a reminder that beauty, harmony, and peace are always within our reach if only we’re brave enough to listen.”

For Harfouch, this concert is the culmination of months of work and proof of the enduring power of art to reflect the world, comfort the world, and change the world. 

The “Concerto for Peace” is bound to leave behind a lasting impact—a reminder that, in the grand symphony of life, every voice matters, and every note counts.

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