Lifestyle

Saydulla Madaminov – Life of a veteran

Published

3 years ago

September 15, 2022

The 4th Commander of Uzbekistan Air and Air Defence Forces, a 3rd, 2nd, 1st class of military pilot with a ‘Pilot Sniper’ badge, a squadron leader, serving as the Commander of the 735th Aviation Regiment, or doing international visits as Commander of the Uzbek Air Force to Turkey, US, Russia, UK, and Italy, Colonel Madaminov has it all have the title of a veteran. He has experienced the scent of what the Air Force Mission truly circumscribes.

Saydulla Abdukuddusovich Madaminov is a retired colonel of Uzbekistan who also served as the 4^th commander of Uzbekistan Air and Air Defence Forces from 2001 to 2003.

Born to be in the Air Force

Saydullah Madaminov was born in 1957, in Osh, Kirghiz SSR. His career, life, and battles have set a list of achievements and have made him an inspirational role model for generations to come in the Air Force.

He received his education from Yeisk Higher Military Aviation Institute (EVVAUL) from 1974 to 1978. He was sent to the Transbaikal Military District upon graduation, where he joined the 23rd Air Army, first at Step and then at Dzhida in 1980. In 1982, he was promoted to flight commander. In 1983, he got transferred to Brand Airbase in East Germany to join the GSFG. By 1987, he rose to become a squadron leader.

Undeniable contributions

Saydullah earned an additional military degree from the Gagarin Air Force Academy in Monino from 1988 to mid-1991. After successfully acquiring his second tertiary degree. Saydullah, as a powerful force, didn’t stop there; there was still more to come for him. He then continued his Soviet Military Service at the Turkestan Military District. Then came the summer of 1991, when he arrived at the Khanabad Air Base and became the Chief of staff and the First Deputy to the Commander of the 735th Aviation Regiment. After the collapse of the USSR, by 1993, the Soviet Military Authority went downhill in Uzbekistan, ultimately leading to the appointment of Saydullah as the Commander of the 735^th aviation regiment, which in August of 1995 was re-named the 60^th Aviation Regiment of the then newly formed Uzbek Air Defence Forces. The freshly established Uzbek military was re-arranged. Khanabad Air Base became the most extensive air force base in the country.

Cementing the legacy

The mid-90s saw the emergence of the Tajik Civil War, which embroiled the Uzbek Air Force; Colonel Madaminov successfully carried out over 120 sorties targeting the Islamic extremist. Then in the late 90s, he participated in military operations, successfully neutralizing the IMU fighters who had taken over some mountainous areas in the northern Surxondaryo and launched an incursion into the Batken and Osh regions of Kyrgyzstan.

In March 1999, the Ministry of Defense transferred Saydulla to the capital Tashkent, where he was promoted to the Deputy Commander of the Uzbek Air and Air Defence Forces. In October 2001, by decree of President Islam Karimov, Colonel Madaminov was appointed the Commander of the Uzbekistan Air and Air Defence Forces. He executed that role until late 2003. After that, his journey as a senior military advisor and inspector for the Ministry of Defense of Uzbekistan began. Saydullah retired from the Military in August 2007.

Colonel Saydulla had received Medal “For Distinction in Military Service” and “Jasorat.” He received the “Shon-Sharaf Order,” or The Order of Glory, for his devotion and courage in defending the country and strengthening Uzbekistan’s defense and national security.

Throughout his career, he has mastered aircraft including L-29, L-39, MiG-15, MiG-17, MiG-23, Su-7, Su-17, Su-24, An-26, and Yak-42. He has taken 10,274 flights and spent total flight hours of 4072 during military service and 770 in commercial aviation.

Legacy Continues

After retiring from the military, Saydulla turned to civil aviation. He worked as a Yak 42 Captain for Tulpar Air from 2011 and 2013. Initially, he was located in Kazan but later relocated to Vnukovo Airport in Moscow. Before fully retiring from all aviation work and moving back to Uzbekistan, Saydullah became the Deputy Head of Gosaviandzor for the North Caucasian Federal District in 2014. He worked from the Mineralnye Vody Airport and held that position until late 2021.

Lifestyle

Why Classical Dance Is Thriving on Instagram

Published

6 days ago

April 28, 2025

Michelle Langton

For centuries, classical dance forms like Bharatanatyam and Kathak have been treasured for their elegance, complexity, and storytelling prowess. But in recent years, these age-old traditions have found an unlikely stage: Instagram. From intricate mudras to rhythmic footwork, young dancers are captivating audiences worldwide, all in the span of a 60-second reel.

So, what’s fueling this revival of classical dance on a platform known for trends, filters, and viral challenges?

Instagram, with its visual-first format, has become an ideal space for artists to share their craft. Classical dance, rich in visual storytelling, translates beautifully into bite-sized performances that are accessible and engaging for modern audiences.

“Reels are short enough to grab attention but long enough to convey the essence of a classical piece,” says one of Spardha’s dance teachers, actively creating dance videos for the Instagram page of Spardha School of Music and Dance, an online platform for performing arts education. “You don’t need an elaborate stage or hours of performance; a simple backdrop and good lighting can bring your art to life.”

On Instagram, young dancers bring a fresh approach to traditional art. They skillfully blend classical compositions with trending audio tracks, often choreographing pieces that resonate with younger audiences.

These videos show how classical dance can be relevant in today’s world as young artists reinterpret popular songs in classical style. Such performances respect the tradition, make it accessible to a larger audience by making classical dance relatable.

Social media has also given classical dancers something they’ve never had before: a global audience. Platforms like Instagram allow Indian artists to reach audiences in the U.S., Europe, and beyond, fostering cultural exchange and appreciation.

And the feedback loop is immediate. Unlike traditional performances, which are confined to auditoriums and limited audiences, Instagram reels receive likes, comments, and shares in real time, creating a sense of community and encouraging more engagement.

The rise of online platforms for learning music and dance like Spardha School of Music and Dance has further fueled this trend. Spardha provides structured lessons in classical dance forms like Bharatnatyam and Kathak, and even Bollywood, making them accessible to young learners regardless of their location.

“Many of our students have taken what they’ve learned and showcased it online,” says a representative from Spardha. “It’s incredible to see them not just learn the art but also innovate and present it in ways that inspire others.”

By offering online classes, Spardha ensures that classical dance is no longer restricted to physical studios, enabling dancers to connect with their culture through dance no matter where they are in the world.

The success of classical dance on Instagram lies in its ability to blend heritage with modernity. The younger generation, armed with smartphones and a passion for preserving their roots, is making classical dance both aspirational and accessible.

Dance has always been about expression, and Instagram is just a new way of reaching people.