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Swaying people to his beats and garnering immense love for his music, make way for Anthony Santos, aka DJ Flipstar.

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He is considered, one of the most original and versatile disc jockeys of today’s generation.

The more we look around, the more we realize that the growth and the consistent development a few industries have experienced  can be attributed to the technological advances, and two the endless efforts and hard work of the professionals who work in them to make sure they take their respective industries to greater success levels and growth.

Among the various industries seeing massive growth, many new and incredible talented beings have emerged in the music space, especially from the past few years, but Anthony Santos, aka DJ Flipstar’s name, tops the list.

Hailing from the Dominican Republic and growing up in Harlem, NY, he mentions that music was something that he surrounded himself with since an early age, then throughout his teenage years, Flipstar acquired more experience as a DJ, starting with house parties in New York neighbourhoods. However, at that point in his life, he never thought that the music would give him wings to fly, and from playing for house parties, he would someday reach a position where he would work with world-renowned artists from across different genres and backgrounds.

He is highly influenced by artists like DJ Prostyle, DJ Camilo, DJ Enuff, DJ Precise, DJ Danny S, and DJ Werd da mouf, among others.

From the years 2007 till now, this veteran he has created a beautiful journey of his as a rising DJ, who played at different events and shows, made great collaborations, and came a long way as a true-blue DJing talent.

In 2007, he joined the select circle, All-Pro/Heavy Hitter/Bad Boy/BET 106 & Park/Power 105.1 FM’s DJ Prostyle. Then In 2012, DJ Flipstar went on to become the youngest member of Power 105.1’s group of DJs.

In 2014, after joining hands with rapper Messiah, he became one of the pioneers of Latin trap. In 2017, he worked at Univision Radio NY premier station La X96.3 FM, which made him one of the only DJs in New York to work on two Radio stations, Power 105.1 FM & La X96.3 FM, that represented Latin Music and hip-hop.

The following year, he hosted an interview with “Anuel AA” via Remezcla.com. Then in 2019, he was the DJ for rapper “Cardi B’s Daughter Kulture 1st Birthday Party, in the same year, he DJ the for Cardi at The Veld Music Festival, in Toronto and also Indiana Pacer Arena (Gainbridge Fieldhouse).

In March 2022, he is all excited for doing the opening set for “Bad Bunny” El ultimo Tour Del Mundo 2022. Over the years, DJ Flipstar worked along with several well-known names of the industry and attained a rich list of clients, which brought him to the industry’s forefront.

Rosario is from New York and has worked with leading companies like Microsoft as a copy-writer in the past. Now he spends his time writing for readers of BigtimeDaily.com

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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