Connect with us

Entertainment

Tamara de las Tormentas: The Artist in the Middle of the Storm

mm

Published

on

She has been awarded with the Auguste Rodin prize, hosted a tv show and recently one of her works, a 70 thousand USD painting, was stolen from a Pasadena private collection. In this interview the Chilean artist set in Concepción, answers it all.

How do you feel that thieves are stealing your art?

I don’t really know how to feel, I probably shouldn’t say it, but I feel kind of flattered. It’s nice to see people enjoying your art. Anyway it’s nicer to see people paying it.

But it wasn’t your money, the painting was sold to a collector

Yes, it’s always surprising to see how the prices go up and up. When I sold it, the painting wasn’t that expensive, and that was only around two years ago.

How do you feel about the art market

I am intellectually interested, I studied art history so I am supposed to be able to put a price on a painting, but I think I am mostly concerned with the inner quality of a product and not its fame or with whom the painter is friends with. I think we should be allowed to have an opinion and not be dependent on what others think, so I have a sort of critical approach.

You seem to move from one style to another with some ease

You say it because one day I paint abstract and other I paint flowers? Yes, I like switching because I like freedom of thought, because with the abstract painting I can make emotional, personal statements. With flowers I get to communicate with nature, and the beauty that surrounds us all, I get to capture a particular moment, a particular quality of the light, a particular shade of a color.

Many of my floral paintings are in hospitals in the USA, I’ve told that people feels more calmed when seeing an object of beauty on their waiting.

What’s up with your name?

Ha! People are always wondering about that, De las Tormentas (of the Storm) it’s my actual last name, not a pseudonym. My daughter, who is a filmmaker, enjoys making puns with it, she was the one who named our tv show Pintando en la Tormenta (Painting in the Storm), and she also happens to be the director.

You seem to be very close to your family

Yes, very close to them all, I also have an excellent relationship with my son in law.

Really?

Yes, people don’t believe us, but he is like a son to me, I get him cookies, I cook his favorite meals. For instance, he has written a series of child short stories, and I have illustrated them. We are super close.

You seem like a happy person, what do you want to communicate with your art?

I want to communicate emotions, personal thoughts, ideas I explore on my daily life. I want to share the beauty that’s around us.

https://www.saatchiart.com/tormentas

https://laconcepciondelarte.com/onirica.html

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

mm

Published

on

Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

Continue Reading

Trending