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University Student to A Breakthrough EDM Artist: Not Dillon is Undoubtedly the Next Big Thing in Music

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23-year-old Dillon Shamoun who goes by his stage name Not Dillion from Detroit Michigan is taking on the music world with his EDM-infused samples that have garnered some of the best audience engagements on Spotify and Soundcloud.

Electronic Dance Music or EDM is the newest contemporary vent of musical appropriation and who better than Not Dillion who has incorporated never-before-known degrees of creative deconstructions in his soundscape. A DJ, music producer, and songwriter, his accomplishments at just 23 puts him in the circle of prodigies. Music has always been integral in his life, initially as a silent impetus and later on as a full-time force always compelling him to achieve and present the best in him. He is a self-taught artist that gives him more insight into the various creative latitudes of EDM and his own interpretations of musical consciousness.

Not Dillon’s music career can be officially consolidated into three years to date. By now, he is already sitting at the zenith of Spotify’s curated playlists as he is savouring the sweet audience acknowledgment from his trending scope on Soundcloud. Spotify alone aggregates about 10 million streams of his tracks globally and on the other hand, has reigned the top artist on Soundcloud several times. However, his introduction to music that would later pursue him to take it up professionally crossed his path during his years at Michigan State University as a Kinesiology major. It was actually during one of the music festivals where he met some DJ friends and the connection was instant. Dillon performed with them as he realized that music is where his happy destiny lies. He discontinued as a student to expand his musical creative wisdom and formulate it into an eccentric one. His soundscape is an inspiring tale of his life experiences and relationships that helped him find themes in his music. All in all, a university student who gradually formed his fan base and musical perspective in such a short time is worth all the praise in the world. Not Dillon’s single ‘Back To The Start’ featuring fellow artist Laura Page has also received critical appreciation.

Apart from being an artist himself, he is also associated with the professional field of artist management. As a former employee of Apple working in the sales department, he realized very early on that this life is not what defines him. One of his biggest accomplishments came after his first song as a solo artist was signed to Sony. He is all about performing on stage that boosts his confidence like no other. He performed across the USA and is now getting ready to share his EDM hunch with the world. His remixed samples of songs by The Chainsmokers, LIVVIA, and more add to his career graph like exponential factors. Although he is still young and just starting his professional journey of artistic and musical pursuits, his conviction and passion with never bring him down. A story from the next-door-guy to the next-big-thing, Not Dillon is just getting started with his quirk, mirth, and EDM curations.

 Follow Not Dillon here:

https://www.instagram.com/shamoundillon/

Listen to Not Dillon here:

https://open.spotify.com/artist/1J0ODz1plHzaYwhamPRrA3?si=qsh560YrRJaZR57IKEDr

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Going Public: The Groundbreaking Series Transforming How Americans Invest

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In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.

Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.

“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”

That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.

“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”

This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.

Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.

“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”

The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.

This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.

One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”

Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.

In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.

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