Presale passwords are used on Live Nation and Ticketmaster to permit spectators to purchase tickets for events before they are offered to most other people. Presale tickets are sold to members of the newsletter, members of the fanclubs and sometimes some other communities like users of Spotify.

Some presale passcodes are only be of use to people who have a specified credit card such as an American Express. In these cases, presale passwords will only work for folks having an Amex, so they can buy the seats.

CITI does a similar thing and issues charge cards that are usable in a presale to buy quantities of tickets when you’ve got the appropriate sort of credit card (ie one provided by CITI).

The whole point of presale is to get your hands on concert tickets. You need a password to purchase tickets during a presale. There are several terrific places to get hold of a passcode you want.

The top places we’ve uncovered up to now for presale passwords is Presale.Codes.

They have been publishing presale password details for a long time – offer a full money back guarantee and they are able to help you to purchase early tickets.

Occasionally ticket buyers ask questions like “Precisely how many tickets are in a presale?” or “Precisely how many tickets are left over for the public to buy when all the presales are concluded?”

Actually the industry doesn’t broadcast publicly exactly how many of the tickets are likely to be dispensed to CITI or American Express cardholders. After Twitter and Facebook campaigns cater for thousands, the venue e-newsletter swallows thousands more. Each band has got a fan club and those members get the best seats near the stage – if the band doesn’t sell them directly to ticket brokers for quick money.

After all this – there’s not much left.

As little as ten percent of tickets are sold to the general public for a concert.

How come there are so few tickets offered to the public?

According to our analysis there seem to be many aspects which have an impact on why event promoters allocate tickets in this way: Increasing their bottom line is unquestionably a driving factor. People need to earn cash, and promoters are not any exception.

Bands often scream “its all about the MUSIC” however you never hear them complaining when they’re on the road to jam-packed stadiums and multi-million pay outs.

These stories are very detailed about the underhanded activities of this industry. Without taking advantage of a presale to get concert tickets your odds are pretty slender.

The moral of the story: Public Sales are beaten hands down by Presales.

If you want to have the very best possibility of acquiring gig tickets, you should never hold out for the sale of public tickets. Get those tickets early on and be relieved that you’ve actually got a seat for the show. If you’d really like to put an even better strategy to work, you can invest in some tickets in the presale period, endeavor to acquire even more in the on-sale and IF you can sell the others, you will make a little profit yourself.

With the demand increasing and prices rocketing even higher you will be grateful to make it through the entrance of an event nowadays and if you’re able to subsidise the cost of your own tickets by just becoming a ticket reseller in your own right, hats off to you!

What number of tickets change hands during the pre-sales?

Justin Bieber and his promoter allotted ninety percent of tickets to fan club, pre-sales, specific credit card holders and insiders.

A recent New York Post article explained:

Devoted fans that were unable to see the sold-out July 2 One Direction concert at the Izod Center in New Jersey were very unhappy – actually shattered.

Before the concert tickets went on sale to the open public, merely a tiny fraction of the 13,687 seat tickets – only 4,474 (32%) were available for purchase by ordinary, everyday One Direction fans. The majority had already been set aside for presales, members of the band, insiders and fan club.

While fans are largely left uninformed with regards to ticket allocation (and it’s easy to see why), the vast majority of the tickets are allotted to record labels, the artists, talent agencies, fan clubs and tour sponsors, according to the Fan Freedom Project, a Washington DC based coalition supported by Stubhub.

No seat tickets at all left to buy for the ordinary fan during the public onsale.

In a case study in 2011, LCD Sound system went on tour. Now, when a band like this decides tour or stage a residency, a promoter like Bowery Presents or Live Nation manages them.

This promoter will help to determine precisely where they will hold gigs, and more interestingly, how concert tickets will be priced and distributed, quite often through holds (allotments) for music industry insiders and presale packages for credit card companies like CITI and American Express.

This is certainly where the vast majority of seats are secured, and generally only 46% of tickets are left over for for the public and fans.

A lot of folks can get extremely annoyed when they realize how few seats are left over for the wider public.

So, precisely what happens to the remaining presale concert tickets?

The venue ie Brooklyn Steel or Madison Square Garden or whatever, receives its cut of the fees added onto ticket sales, while the ticket vendors – Axa, Ticketmaster or Ticketfly – act as the primary market, making their money via service and convenience fees for some $25 billion per year.

Most of these principal ticketing merchants usually permit, and even urge, their purchasers to sell on seat tickets, on their own websites. Needless to say this means that the ticket company makes a profit when tickets are sold and a second time: when tickets are re-sold. Would that be double-dipping? Could be, it is dependent on who you ask.

It’s the insiders who cause most of the issues by securing piles of tickets below or at the face value but who then proceed to sell on those tickets on ticket websites like StubHub.

Good luck, and don’t forget, if you can, shop for your concert tickets early on using Presale.Codes.