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Style Meets Steel: Fatma Al Shebani Creates a Unique Visual Language through Brilliant Metalworking

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The materials artists employ in their work often carry with them as much meaning as the content of the works themselves. For Fatma Al Shebani, accomplished Qatari artist well known for her use of strong materials such as bronze, resin, iron, and stainless steel, this could not be more true.

The people of Qatar have witnessed transformations in recent decades like few societies  in history have. The social fabric of the country, as well as the urban landscape of its major metropolitan centar, Doha, have experienced dramatic change resulting from the discovery of oil less than a century ago, which pushed the national economy away from a declining pearl trade and set it on track to eventually boast one of the highest standards on living in the world. From its position as a relative backwater situated on the western shores of the Persian Gulf, to a thriving economy growing in the shadows of towering steel skyscrapers, Qatar has been, and in many ways remains, a society in transition.

Doha is a city characterized by its architectural diversity, and yet the broad range of stylistic approaches stand united through common visual elements and motifs that draw from Qatar’s rich national history. The same could be said of Al Shebani’s work, which exhibits a wide breadth of subject matter that nevertheless remains largely tied together through her choice of strong materials and commitment to drawing inspiration from Qatari history and culture. Indeed, through the use of various metals, Al Shebani has succeeded in creating a body of work that compliments the city’s architectural vernacular.

Her use of bronze, iron, and steel imbues a sense of both permanence and strength into her projects. These materials act to bolster the strength of her visual storytelling represented in the pieces themselves. Steel, the technology that first allowed for the development of contemporary urban skylines, carries with it certain notions of modernity in its application to her art. The subjects Al Shebani illustrates in her metal working, however, find inspiration in cultural motifs of times past. Specifically, she draws from her own personal memories to conjure up imagery that reflects traditional Qatari culture, often in forms reminiscent of conventional modes of dress. This idea becomes apparent in the many iterations of her ‘Bokhnaq’ and ‘Batoula’ series. In conjunction with one another, her choice of subject and material work to bring the lessons of the past forward into an ever modernizing, ever changing cultural context.

Like many of the architects who have aimed to preserve Qatar’s history in their construction of buildings that in many ways must, by virtue of their purpose and scale, break with tradition, Al Shebani often elects to immortalize elements of Doha’s surrounding marine and land environments in her work, casting them in beautiful relief. This is perhaps most clearly seen in Al Adiyat 9, which depicts horses, an important feature of Qatari history, in stunning motion, as well as her reliefs illustrating the sacred marine life of Qatar’s offshore reefs.

Doha has become, in many ways, a city of steel clinging purposefully to its roots. Architects have devised a myriad of creative tactics to embrace change while still acting to preserve traditional Qatari values and style. Al Shebani’s work then functions as the perfect compliment to the city’s dynamic urban landscape. She has expertly managed to marry the old and the new, the traditional and the modern, to establish a visual language that reflects this culturally rich nation’s ever changing ethos.

For more information about Fatma Al Shebani and her work, visit: https://www.fatmaalshebani.com/ 

Michelle has been a part of the journey ever since Bigtime Daily started. As a strong learner and passionate writer, she contributes her editing skills for the news agency. She also jots down intellectual pieces from categories such as science and health.

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Lifestyle

Why Derik Fay Is Becoming a Case Study in Long-Haul Entrepreneurship

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Entrepreneurship today is often framed in extremes — overnight exits or public flameouts. But a small cohort of operators is being studied for something far less viral: consistency. Among them, Derik Fay has quietly surfaced as a long-term figure whose name appears frequently across sectors, interviews, and editorial mentions — yet whose personal visibility remains relatively limited.

Fay’s career spans more than 20 years and includes work in private investment, business operations, and emerging entertainment ventures. Though many of his companies are not household names, the volume and duration of his activity have made him a subject of interest among business media outlets and founders who study entrepreneurial longevity over fame.

He was born in Westerly, Rhode Island, in 1978, and while much of his early career remains undocumented publicly, recent profiles including recurring features in Forbes — have chronicled his current portfolio and leadership methods. These accounts often emphasize his pattern of working behind the scenes, embedding within businesses rather than leading from a distance. His style is often described by peers as “operational first, media last.”

Fay has also become recognizable for his consistency in leadership approach: focus on internal systems, low public profile, and long-term strategy over short-term visibility. At 46 years old, his posture in business remains one of longevity rather than disruption  a contrast to many of the more heavily publicized entrepreneurs of the post-2010 era.

While Fay has never publicly confirmed his net worth, independent analysis based on documented real estate holdings, corporate exits, and investment activity suggests a conservative floor of $100 million, with several credible indicators placing the figure at well over $250 million. The exact number may remain private  but the scale is increasingly difficult to overlook.

He is also involved in creative sectors, including film and media, and maintains a presence on social platforms, though not at the scale or tone of many personal-brand-driven CEOs. He lives with his long-term partner, Shandra Phillips, and is the father of two daughters — both occasionally referenced in interviews, though rarely centered.

While not an outspoken figure, Fay’s work continues to gain media attention. The reason may lie in the contrast he presents: in a climate of rapid rises and equally rapid burnout, his profile reflects something less dramatic but increasingly valuable — steadiness.

There are no viral speeches. No Twitter threads drawing blueprints. Just a track record that’s building its own momentum over time.

Whether that style becomes the norm for the next wave of founders is unknown. But it does offer something more enduring than buzz: a model of entrepreneurship where attention isn’t the currency — results are.

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