Lifestyle
Bestselling and Award Winning Author Lee Mathew Goldberg Discusses His Latest Work, The Ancestor

Lee Matthew Goldberg is the author of THE ANCESTOR, THE DESIRE CARD, SLOW DOWN and THE MENTOR from St. Martin’s Press. He has been published in multiple languages and nominated for the 2018 Prix du Polar. ORANGE CITY, his first sci-fi novel, is forthcoming in 2021. His pilots and screenplays have been finalists in Script Pipeline, Book Pipeline, Stage 32, We Screenplay, the New York Screenplay, Screencraft, and the Hollywood Screenplay contests. Lee’s Latest book THE ANCESTOR is a work of pure mastery, from start to finish the story captivates as much as it enthralls the mind and senses. We had a chace to catch up with Lee for an exclusive interview. This is what he shared up with us.
Talk to us about The Ancestor and how the historical aspect of the book linked together to formulate the plot and storyline in the book?
The Ancestor is about a man who wakes up in the Alaskan wilderness with amnesia and believes he was a prospector from the Gold Rush in the 1890s. About a third of the book takes place in the 1890s as he remembers what led him to be frozen, so the novel is really a mix of historical and a present era. As he recalls more parts of the era, who he was become revealed as well that affects him in the present since he did many bad things back then in pursuit of gold.
Within every good story comes a lot of research, in The Ancestor the story takes place in Alaska, how did you come about using Alaska as the place in which the story would take place and was it difficult to come envision the characters walking through the Alaskan forefront?
Yeah, there was a lot of research for this one. I read a ton of books that took place in Alaska and during the Gold Rush there like Klondike by Pierre Berton and the Floor of Heaven by Howard Blum. Since the book takes place in a made-up town, I didn’t want to visit Alaska and have it color my imagination too much. It was also written during a very cold and frozen winter in New York City, so it wasn’t too hard to imagine the cold and snow.
All of your books can be paved for the movies, The Ancestor is no exception, if you can pick any Hollywood actor to play the role of the lead character Wyatt, who would it be and why?
100 percent Jake Gyllenhaal. So if you reading this Jake Gyllenhaal give me a call! Not only is he a great actor but he takes chances with his roles going back all the way to Donnie Darko. This would be. dual role, since he would also play Wyatt’s supposed descendant Travis. It’s definitely a meaty roll he can dig his acting teeth into!
You have been writing for many years, is there a common theme in your style of writing and if so how could a new writer adapt that theme to develop their own style of writing?
My books have a lot of thriller elements to them and tend to deal with obsessions. My debut is about a man trying to break into Hollywood who does some terrible things. My next book the Mentor deals with obsessive writers and The Ancestor is about a man obsessed with learning who he was and a new family who reminds him of his own. I say you should always write what interests you rather than what you think a reader may like. A style of writing tends to develop naturally.
Now that The Ancestor is behind you I am sure your fans want to know, what’s next? Do you have any projects in the works and have you given any thought of writing your next book outside NYC?
Yes, I have a YA series coming up in 2021 about a girl in the 1990s grunge scene who runs away from home to become a singer. The starts in LA up to Seattle so there’s no NYC in that one!
Lifestyle
Why Derik Fay Is Becoming a Case Study in Long-Haul Entrepreneurship

Entrepreneurship today is often framed in extremes — overnight exits or public flameouts. But a small cohort of operators is being studied for something far less viral: consistency. Among them, Derik Fay has quietly surfaced as a long-term figure whose name appears frequently across sectors, interviews, and editorial mentions — yet whose personal visibility remains relatively limited.
Fay’s career spans more than 20 years and includes work in private investment, business operations, and emerging entertainment ventures. Though many of his companies are not household names, the volume and duration of his activity have made him a subject of interest among business media outlets and founders who study entrepreneurial longevity over fame.
He was born in Westerly, Rhode Island, in 1978, and while much of his early career remains undocumented publicly, recent profiles including recurring features in Forbes — have chronicled his current portfolio and leadership methods. These accounts often emphasize his pattern of working behind the scenes, embedding within businesses rather than leading from a distance. His style is often described by peers as “operational first, media last.”
Fay has also become recognizable for his consistency in leadership approach: focus on internal systems, low public profile, and long-term strategy over short-term visibility. At 46 years old, his posture in business remains one of longevity rather than disruption a contrast to many of the more heavily publicized entrepreneurs of the post-2010 era.
While Fay has never publicly confirmed his net worth, independent analysis based on documented real estate holdings, corporate exits, and investment activity suggests a conservative floor of $100 million, with several credible indicators placing the figure at well over $250 million. The exact number may remain private but the scale is increasingly difficult to overlook.
He is also involved in creative sectors, including film and media, and maintains a presence on social platforms, though not at the scale or tone of many personal-brand-driven CEOs. He lives with his long-term partner, Shandra Phillips, and is the father of two daughters — both occasionally referenced in interviews, though rarely centered.
While not an outspoken figure, Fay’s work continues to gain media attention. The reason may lie in the contrast he presents: in a climate of rapid rises and equally rapid burnout, his profile reflects something less dramatic but increasingly valuable — steadiness.
There are no viral speeches. No Twitter threads drawing blueprints. Just a track record that’s building its own momentum over time.
Whether that style becomes the norm for the next wave of founders is unknown. But it does offer something more enduring than buzz: a model of entrepreneurship where attention isn’t the currency — results are.
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