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Car insurance- Things to Keep in Mind to Choose the Best One

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Every kid when young dreams of having his/her car and house but little do these young minds knows that buying a car is not only about selecting a car model or its colour. Not only does one need to get a driver’s license but also get car insurance which is convenient for the individual. Purchasing your car comes with a lot of responsibilities and choices and bag and baggage.

Auto insurance or car insurance has been made compulsory by most states to provide its citizens with financial support in case of a man-made disaster or accident.

Tips to choose the best motor insurance

  • Always compare prices from different websites and agents before finalizing any insurance plan.
  • The most important thing is to drive safely and avoid any unnecessary accidents.
  • Buying a collective package for all your insurance policies like health insurance and life insurance. This way you can also get a reasonable discount
  • Choose your coverage wisely. You need to be careful about the premium. If it’s too less, then it won’t be much helpful in case of an accident or collision. If the premium is too much, you might not be able to utilize it.
  • Understand your policy. Being a legal document, the insurance contract has a lot of technical terms that might not be intelligible. It is advisable to go through all the pages thoroughly before signing.

The aspect of moving or shifting from one state to another can be exciting, experiential, and informative. But I would be hiding the truth if I say it’s all good. It comes with its bag and baggage.   The major problem migrants, emigrants, immigrants, NRI’s mostly face, other than transport and shifting issues are related to a driving license.

A driving license is a legal document that is issued by the government of a country to certify its citizens’ eligibility to drive a vehicle. Each nation has its way of issuing the driver’s license and its own rules and regulations regarding the driver’s license. A driver’s license is issued in the state that the individual considers having a permanent residency in.

Till the time this license is valid, an individual is free to drive in any other state in the country. Most countries have set the minimum driving age to be 18. Few countries having a minimum driving age of 17 and below are Australia, Malaysia, Israel, Iceland, New Zealand, the Philippines, Canada, etc.

People living in more than one state at the same time might wonder if it is possible to attain a driver’s license in more than one state. The answer to that is tricky because of varying jurisdictions and authorities in each state and country. In a country like the US, each state is regulated by Automobile Insurance individually. Having a driving license of two different states is not only not allowed in a country like India but also it acts as a threat to the security policies. If getting two licenses was allowed, people would resort to it to avoid fines, suspensions, fees, and penalties in other states.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Business

Jellyfish Pictures Suspension Reveals Outsourcing Opportunity, Says BruntWork

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Jellyfish Pictures, a well-known UK visual effects studio, has temporarily shut down due to financial struggles. The company, recognized for its work on major films and streaming projects, is searching for buyers or investors while halting all ongoing work. This situation has raised concerns across the visual effects industry, which is already dealing with economic pressures, labor disputes, and production changes. BruntWork, one of the top outsourcing companies, sees this as an opportunity for companies to reassess how they operate and how outsourcing can help VFX studios lower costs and stay financially stable.

A Leading Studio Brought to a Standstill

Jellyfish Pictures started as a small operation in 2001 and became a respected name in visual effects. With multiple offices in London and a portfolio of high-profile projects, the studio built a strong reputation. However, rising costs and growing competition from lower-cost studios made it harder to stay profitable. Financial pressure mounted, forcing the company to suspend operations.

Clients relying on Jellyfish Pictures are now left searching for alternative vendors to complete their projects. The suspension has also put hundreds of employees in a difficult position, leaving them uncertain about their future. Company leaders have stated they are looking into all possible options, including selling the business or bringing in outside investors.

Why VFX Studios Are Struggling

Visual effects companies have long worked with tight profit margins. The financial setbacks caused by the COVID-19 pandemic made things even tougher. Many VFX studios kept projects moving remotely but struggled with delayed payments and cancellations. In 2023, the global VFX industry was valued at $11.3 billion, but continued production delays and tighter budgets are making it difficult for companies to grow.

The writers’ and actors’ strikes in 2023 added more complications. With productions on hold, many VFX studios found themselves with fewer projects in the pipeline. A recent industry survey found that 72% of VFX companies faced financial struggles due to the combined effects of the pandemic and the strikes. Mid-sized studios with high fixed costs, like Jellyfish Pictures, have been hit the hardest.

Winston Ong, CEO of BruntWork, believes this situation exposes weaknesses in traditional business models. “Studios operating in expensive cities like London face overwhelming costs that outsourcing could help reduce,” he says.

The Role of Outsourcing in Keeping VFX Studios Afloat

Some experts believe outsourcing can help visual effects companies manage financial risk. According to Ong, studios that rely entirely on in-house teams in high-cost cities struggle to keep expenses under control, while those that blend in-house work with outsourcing can operate more efficiently.

The shift to remote work during the pandemic showed that collaboration across different locations is possible. Data from outsourcing firms suggests that studios using a mix of in-house creative direction and outsourced production can lower expenses by 40-60% without sacrificing quality. Some companies have already moved in this direction, allowing them to stay competitive without driving up costs.

Beyond production outsourcing, some VFX studios are also exploring ways to streamline marketing efforts. Hiring a digital marketing virtual assistant allows companies to manage campaigns, social media, and client outreach more efficiently. This helps studios maintain a strong industry presence without the overhead costs of full-time marketing teams.

Still, outsourcing comes with potential risks. Some industry veterans warn that relying too much on external teams can lead to quality issues and production delays. Studios must find the right balance between saving money and maintaining the level of quality audiences expect from high-end visual effects.

What Comes Next for Visual Effects?

Jellyfish Pictures’ troubles have sparked discussions about how VFX studios can stay in business. More flexible production models, outsourcing, and smarter budgeting could become the standard technique. Advances in technology continue to make remote collaboration smoother, allowing studios to complete projects without keeping all operations in expensive locations.

“This reflects a larger problem across the industry,” says Ong. Studios that adjust their operations and use outsourcing effectively may be better prepared for economic swings. Companies that maintain strong creative leadership while using global production teams seem to have an advantage.

For many, this also extends to marketing. Some of the most successful VFX firms are those that recognize the benefits of outsourcing digital marketing to specialists who can handle branding, social media, and client engagement without the high costs of in-house teams. This allows studios to maintain visibility and credibility even in uncertain market conditions.

Larger firms may continue to acquire struggling studios, but smaller businesses that improve their financial strategies could stay independent. The challenge is finding a way to keep artistic vision intact while managing expenses.

Moving Toward Stability

Jellyfish Pictures’ shutdown is a warning for the visual effects industry. High operating costs and unpredictable changes in production schedules show why studios need flexible business strategies. Some will turn to outsourcing, while others may merge with larger firms or adopt hybrid models to stay competitive.

For mid-sized studios, financial stability must be a priority without sacrificing creativity. The next few years could bring more studio buyouts, with bigger companies taking over smaller ones. However, independent studios that adjust how they work could still succeed by reducing costs without lowering the quality of their output.

Adaptability is what matters. Studios that adjust their structures and use global talent wisely will be the ones that remain strong in this industry, ” Ong concludes.

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